︎SOLO EXHIBITIONS

2021    Hairy Matter, Kolding, Denmark


︎GROUP EXHIBITIONS

2025    Ars Electronica, Linz, Austria

2024    Dutch Design Week, Eindhoven, Netherlands

2024    Berlin Design Week, Berlin, Germany

2023    Bratislava Design Week, Bratislava, Slovakia

2023    Slovak Design Award, Bratislava, Slovakia

2023    Humanity in Design, Nitra/Bratislava, Slovakia

2022    Bratislava Design Week, Bratislava, Slovakia

2022   Regret and Reminiscence, Copenhagen, Denmark

2022    A359, Bratislava, Slovakia

2021    Transform, Kolding, Denmark

2018    Heimtextile, Frankfurt, Germany

2017    Future of Textiles, Žilina/Trenčín, Slovakia

2017    Slovak Design AwardBratislava, Slovakia

2016    18th Textile Miniature Exhibition, Bratislava, Slovakia


︎ACADEMIC AND RESEARCH ACTIVITIES

2025    SCALES in Textiles, Aalto University, Finland

2024    lINZ

2024    DRS Boston

2024    Biocolors

2024    Zlin design weeK

2023    Bio Octraine

2023    Textile Intersections


︎EDUCATION

2022 - now 
PhD studies at Academy of Fine Arts and Design Bratislava, Slovakia
Textile department

2024
Research stay at VIA University College Herning, Denmark

2019 - 2021 
MA degree Design School Kolding, Denmark
Design for Planet, textile

2015 - 2019
BA degree Academy of Fine Arts and Design Bratislava, Slovakia
Textile design

2010 | January - May
University of Lapland, Rovaniemi, Finland
Audiovisual media culture

2008 - 2012
BA degree Masaryk University Brno, Czech Republic
Theory of interactive media




                                             

                                                       



Petra Vicianova (born in the Czech Republic, currently based in Denmark) is a textile designer and doctoral candidate at the textile department at the Academy of Fine Arts and Design in Bratislava (SK).

She is a graduate of Design School Kolding (DK) where she studied a program called Design for Planet, having textiles as a main discipline.

Her current research explores the possibility of using local mineral pigments in textile dyeing and printing while emphasizing post-extractive practices and the relations between humans, other-than-humans, and place. Her approach is earth-centered and driven by experimentation with materials and craft.

.